Singles : Florida Georgia Line ft. Nelly : Cruise Remix

Listen To Florida Georgia Line ft. Nelly : Cruise Remix


Who Is Florida Georgia Line?
It's been more than two decades since a new country act has captured the public's imagination the way Florida Georgia Line has.

The duo's multi-week #1 single, "Cruise," hit the Top 10 just 14 weeks after its release, faster than any debut since Brooks & Dunn’s “Brand New Man.” It's the kind of affirmation few young artists ever experience, and yet was just the cap on a year that saw Brian Kelley and Tyler Hubbard thrill audiences on tour dates with Alabama, Brantley Gilbert and Jake Owen; cut an EP and their first album HERE’S TO THE GOOD TIMES with producer Joey Moi (Nickelback, Jake Owen) and sign a label deal with Republic Nashville -- after selling nearly 200,000 digital downloads independently. To date, “Cruise,” alone has sold well over one million; reached #1 on the iTunes Country Singles Chart and helped secure them a spot on Luke Bryan’s “DIRT ROAD DIARIES TOUR” in 2013.

"It's safe to say it's been a real whirlwind for us," says Tyler. "It's been awesome."

"It's a dream come true," adds Brian, "although it still kind of feels like just yesterday that we were writing the first couple of songs on the back of Tyler's tailgate."

Those tailgate writing sessions, not long after the two met as students at Nashville's Belmont University, kicked off a partnership that has made them one of country's hottest young acts. The fact that their own hard work and game plan fueled so much of the journey makes it doubly sweet.

"As songwriters," says Tyler, "it's always the dream come true to see a song you poured your heart and soul into being sung back to you on a nightly basis to the point where you can barely hear yourself sing."

"And then because of that song, just to see our name on the chart with Tim McGraw and Kenny Chesney, and the great new artists like Lee Brice and Thomas Rhett, that's probably the coolest thing," adds Brian.

"Cruise," which Country Weekly called “a hip hop hybrid of crunchy electric guitar riffs, rap lyrics and backwood boondock roots that would make Kid Rock proud and Jason Aldean envious," is the platinum-plated introduction to their debut album. Working with Moi, Florida Georgia Line has captured within its 11 songs all the excitement and energy of the live show that launched their reputation.

"That was one of our goals from the beginning," says Tyler. "It's difficult to capture the emotion and adrenaline we have in front of fans in a live setting, but I think Joey did a great job."

A great record begins with great songs, and HERE’S TO THE GOOD TIMES reflects the songwriting skills the two have honed with years of dues-paying.

"As songwriters," says Brian, "you're always trying to find a new way to say something, and we take a lot of pride in taking a fresh approach to things everybody experiences."

After "Cruise," there's no better place to start than with HERE’S TO THE GOOD TIMES, which captures the essence of this musically adventurous celebration of youth, fun and romance.

"The title track," says Brian, "sums up the album and what we bring to the table. There are some love songs, some ballads, and some songs about life, and then there are the songs that just rock it. It's going to make you feel some kind of emotion whether it makes you want to drink a beer, cry, reminisce, get back with your girl, whatever it is."

The songs include the passionate "Stay;" the deceptively thoughtful and nostalgic "Hell Raisin' Heat of the Summer;" "Dayum, Baby" (featuring Sarah Buxton) and "Tell Me How You Like It," two journeys into appreciation for the fair sex; the workaday "Round Here" and flat-out party anthems like "Tip it Back" and "Party People" (featuring Jaren Johnston of The Cadillac Black). Throughout, there is hard-driving country with honest, expressive lyrics.

The journey that led to their breakthrough project began in two small southern towns--Monroe, Georgia, for Tyler and Ormond Beach, Florida, for Brian. Both loved the music of their churches, and both branched out into a wide variety of popular music, heavy on the country. Aside from a homemade CD and one show with friends in high school, Tyler didn't play country in front of a crowd until he attended Belmont.

"Music was probably the only thing that would hold my attention long enough to get me through college," he says. He began with a concentration on Christian music, but says, "the more I became passionate about writing all kinds of stuff, the more doors opened."

Brian's tastes ran from Christian to rap, from Aerosmith to Garth Brooks.

"Even at a young age," he says, "I understood that music can evoke any kind of emotion, and that's something we take into all our shows--the people coming to see us are there to experience, to enjoy, to party, to live out those songs."

Brian played baseball at Florida State, and then transferred to Belmont, where he met Tyler. The two knew right away that their vocal blend was special, and they became dedicated co-writers from the beginning. They played the city's writers' nights, and reaction was so good they decided they'd like to take a shot as artists as well as songwriters.

"We really built a good foundation of friendship above all," says Tyler, "and that's what made it work. Everything we've done together--writing, music, singing--it's come really easily and naturally. It was us doing it because we wanted to."

Then came a pivotal moment.

"We were driving through a McDonald's, on our way to write with a buddy," says Tyler. "We were about to graduate college and we were talking about what we were going to do. We both didn't really know. And we said, 'Well, why don't we get in the Tahoe and just go play music, whether it's on the sidewalk or in a bar? Let's go play our songs for people and see what happens. We've got nothing to lose.'"

"We figured if we gave it all we had and didn’t see any momentum or nothing was happening," adds Brian, "we'd just move on and go do something else."

So they set out in Brian's Tahoe, at first doing acoustic gigs, and later with a band. In the meantime, there were a variety of day jobs to pay the bills and keep the dream alive.

"When you're putting up bathroom stalls, cutting grass, washing cars and you don't feel like writing after work," says Brian, "you really have to love what you do. There were days where it's like, 'Man, I've got fifty dollars left in my bank account,' but you keep pushing."

"Right after college," Tyler adds, "mom asked me, 'What's your plan B?' I said, 'There is no Plan B. That's the plan."

Gradually, though, the clubs got bigger, and the crowds, built one fan and one show at a time, got larger and more enthusiastic. Back in Nashville, labels got interested.

Their first, independently produced EP, 2010's Anything Like Me, included the Tyler-penned song "Black Tears," which was covered by Jason Aldean on his chart-topping 2012 gold album Night Train. They picked up a booking agent, Buddy Lee Attractions, and then Seth England from platinum songwriter/publisher Craig Wiseman's Big Loud Shirt publishing company met with them, setting in motion a process that led to their second EP, this one produced by Moi. One of its songs was "Cruise," and its success helped them turn the corner.

"The one thing that set us apart and made us able to sell over 100,000 copies of 'Cruise' before we had a deal with Republic," says Tyler, "was the fact that we did work hard. Instead of looking for a deal, we were looking for fans. So we went out there for two years and just did show after show. We knew that when the fans were there the labels would be there and that's exactly what happened. That's what set us apart, and that's what led us to the best team in Nashville."

They bring profound life lessons to the table as well.

"You really draw from the things that make you stronger," says Brian. "For me, I spent a year playing baseball at Daytona State College under a coach named Tim Touma, which completely changed my life. I hated it at the time. It was basically like boot camp, but he always said it was bigger than baseball. What you were going to learn under him was stuff you could use the rest of your life. So when Tyler and I were getting up early, staying up late, our voices were tired and we were being pulled in so many different ways, I'd think, 'If I could tread water with a cinder block over my head at five o'clock in the morning, I think I can do this.'"

For Tyler, it was the lessons he learned from his father, who died tragically when Tyler was a college sophomore.

"If it weren't for my dad," he says, "I wouldn't be where I am today. He taught me all about chasing dreams and working hard to get where you want to go. My father was my number one fan and I miss him every day. And I've learned that if you can overcome something like that, you can overcome the seemingly hard times that go with a career. It's just a matter of working hard and trying to make the people close to us proud, whether they're here or gone."

The work, the life lessons, and the youth and energy they bring to the table are all part of what they pour out each night on stage and what they've brought to the table with their first album.

"We couldn't be more proud of all the songs on the record," says Tyler. "It's a really exciting time to be able to share our lives through music with our fans."

"Our friends are really excited," adds Brian, "but to them I think we're still just two guys who started out doing music on the back of a tailgate and have been working hard at it and trying to get better. And with the way my parents and Tyler's family have also been so supportive along the way, it's like everybody's success, not just ours."

And judging from their reaction, fans consider it theirs too.


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Sources : Florida Georgia Line Photo | Listen To Cruise Remix | Florida Georgia Line Biography

Videos : Shawn Hook : Two Hearts Set On Fire

Who Is Tim McGraw?
When Tim McGraw debuted in the early '90s, few would have predicted that he would eventually take over Garth Brooks' position as the most popular male singer in country music. Yet that's exactly what he did, thanks to a string of multi-platinum albums, a high-profile marriage to fellow superstar Faith Hill, and Brooks' own inevitable decline. His sound epitomized the strain of commercial country that dominated his era: updated honky tonk and Southern-fried country-rock on the uptempo tunes, well-polished, adult contemporary-tinged pop on the ballads. Helped out early in his career by several novelty items, McGraw simply wound up cranking out hookier hits on a more consistent basis than any of his peers. By the late '90s, he was not only a superstar among country fans, but a mainstream celebrity with a large female following.

Samuel Timothy McGraw was born in Delhi, Louisiana on May 1, 1967. Though he didn't know it until years later, his father was baseball player Tug McGraw, a star relief pitcher for the Philadelphia Phillies and New York Mets who'd had a brief affair with McGraw's mother. He was raised mostly in the small town of Start, Louisiana, near Monroe, and grew up listening to a variety of music: country, pop, rock, and R&B. He attended Northeast Louisiana University on a baseball scholarship, studying sports medicine, and it was only then that he started playing guitar to accompany his singing. He played the local club circuit and dropped out of school in 1989, heading to Nashville on the same day his hero Keith Whitley passed away. He sang in Nashville clubs for a couple of years and landed a deal with Curb in 1992. His debut single, the minor hit "Welcome to the Club," was released later that year, and his self-titled debut album appeared in 1993 but failed to make the charts.

McGraw's fortunes changed with the lead single from his 1994 sophomore effort, Not a Moment Too Soon. "Indian Outlaw" was embraced as a light-hearted, old-fashioned novelty song by fans but was heavily criticized for what some regarded as patronizing caricatures of Native Americans. Despite some radio stations' refusal to air the song, it reached the country Top Ten and even crossed over to the pop Top 20. All the publicity helped send McGraw's next single, the ballad "Don't Take the Girl," all the way to the top of the country charts; it too made the pop Top 20. The album kept spinning off hits: "Down on the Farm" hit number two, the title track went to number one in 1995, and the novelty tune "Refried Dreams" also reached the Top Five. Not a Moment Too Soon was a genuine blockbuster hit, eventually selling over five million copies and topping both the country and pop album charts; it was also the best-selling country album of the year.

McGraw's follow-up, 1995's All I Want, immediately consolidated his stardom with the number one smash "I Like It, I Love It." The album topped the country charts, reached the pop Top Five, and sold over two million copies. Once again, it functioned as a hit factory thanks to the number two "Can't Be Really Gone," the number one "She Never Lets It Go to Her Heart," and the Top Five "All I Want Is a Life" and "Maybe We Should Just Sleep on It." Over 1996, McGraw supported the album with an extensive tour, accompanied by opening act Faith Hill. In October, after the tour was over, McGraw and Hill married, in a union of country star power that drew plenty of attention from mainstream media. It doubtlessly helped McGraw's next album, 1997's Everywhere, become another crossover smash; it topped the country charts, fell one spot short of doing the same on the pop side, and sold four million copies. The lead single was a McGraw-Hill duet called "It's Your Love," which not only hit number one country, but made the pop Top Ten. Three more singles from the album — "Everywhere," "Where the Green Grass Grows," and "Just to See You Smile" — hit number one, and two others — "One of These Days" and "For a Little While" — reached number two. Meanwhile, "Just to Hear You Say That You Love Me," another husband-and-wife duet from Hill's 1998 album Faith, climbed into the Top Five.

With the multi-platinum success of Everywhere, McGraw was poised to take over Brooks' throne as the king of contemporary country, a transition that only accelerated when Brooks confounded his fans with the Chris Gaines project. McGraw, meanwhile, just kept topping the charts. His next album, 1999's triple-platinum A Place in the Sun, hit number one country and pop, and four of its singles also hit number one: "Please Remember Me" (which featured Patty Loveless), "Something Like That," "My Best Friend," and "My Next Thirty Years." 2000 brought McGraw's first Greatest Hits compilation, a best-selling smash, and another Top Ten duet from Hill's Breathe album, "Let's Make Love." The song later won McGraw his first Grammy, for Best Country Vocal Collaboration. Also in 2000, McGraw had a brush with the law when he and tourmate Kenny Chesney got involved in a scuffle with police officers, after Chesney attempted to ride one of the officers' horses; McGraw was later cleared of assault charges and spent the rest of 2000 on a second tour with Hill.

Released in 2001, Set This Circus Down (number one country, number two pop) kept McGraw's hit streak going into the new millennium, giving him four more number ones — "Grown Men Don't Cry," "Angry All the Time," "The Cowboy in Me," and "Unbroken" — just like that. In 2002, his duet with protégée Jo Dee Messina, "Bring on the Rain," also went to number one. For the follow-up album, McGraw defied country convention by entering the studio not with session musicians, but with his road band, the Dancehall Doctors, a unit that had been together since 1996 (with some members around even before that). Tim McGraw was released in late 2002 and produced Top Ten hits in "Red Rag Top" and "She's My Kind of Rain"; it also featured a startlingly faithful cover of Elton John's "Tiny Dancer." McGraw kept the formula the same on 2004's chart-topping Live Like You Were Dying, utilizing his road band, as well as co-mixing/producing the record himself. Let It Go followed in 2007, with Southern Voice arriving in 2009. McGraw resumed recording in early 2010 with longtime co-producer Byron Gallimore. He finished the album Emotional Traffic and even toured in anticipation of its imminent release, but his longtime label Curb refused to release it, feeling it followed Southern Voice too quickly. The dispute landed both artist and label in court, resulting in a separation agreement. McGraw landed a major role in the film Country Strong, which was released in 2011. He followed it with the single "Felt Good on My Lips," which reached the top spot on Billboard's Hot Country songs chart, and was followed by "Better Than I Used to Be"; both were pre-release singles for Emotional Traffic, which was finally issued in January of 2012, two years after it was completed and delivered to Curb. He signed to Big Machine for Two Lanes to Freedom, which was released in early 2013. Its second single, "One of Those Nights Tonight," hit the Top Ten on Billboard's Country Songs chart.


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Sources : Tim McGraw Photo | Nashville Without You Video | Tim McGraw Biography

News : 'Glee' Star Cory Monteith In Rehab For Substance Addiction

"Glee" star Cory Monteith has checked into a rehab facility to deal with unspecified substance abuse issues. Monteith, 30, who plays Finn Hudson on the hit Fox series, "voluntarily admitted himself to a treatment facility" a representative told People magazine.

His decision earned support from co-star and girlfriend Lea Michele, 26, who told the magazine, "I love and support Cory and will stand by him through this. I am grateful and proud he made this decision." The pair went public with their relationship last April and have been spotted at a number of events around Los Angeles in the past year.

This is not Monteith's first attempt to get sober. In a 2011 interview with Parade magazine, Monteith said he had first entered rehab at 19. Already skipping school at 13 to drink and smoke pot, Monteith attended 12 different schools, including alternative programs for troubled teens.

"I burned a lot of bridges," he said. "I was out of control." At the time, he said he had a "serious problem" and was using "anything and everything, as much as possible." His mother and some friends staged an intervention when he was 19 and he was sober for a while, but went back to drugs until he had his "crystallizing event," which included him stealing a significant amount of money from a family member.

He went public with his former struggles in 2011, he said, in order to help others who might be fighting addiction. "I don't want kids to think it's okay to drop out of school and get high, and they'll be famous actors, too," he said. "But for those people who might give up: Get real about what you want and go after it."

The current season of "Glee" has two more episodes left to shoot and filming will proceed as scheduled, according to Deadline Hollywood. The absence of Monteith's character will be explained in the plotlines.

"Cory is a beloved member of the 'Glee' family and we fully support his decision to seek treatment," the show's network said in a statement. "Everyone at the show wishes him well and looks forward to his return."


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Sources : How China Can Build A $7,000 'Good-Enough' CarCory Monteith Photo | 'Glee' Star Cory Monteith In Rehab For Substance Addiction Article

Videos : Donell Jones : Forever

Who Is Donell Jones?
Born May 22, 1973 in Chicago, IL, Donell Jones started singing at the age of 8, wrote his first song at the age of 12 and at the age of 14 he received an electric guitar as a gift from his mother. With his roots in music firmly planted, Jones overcame the southside streets of Chicago’s gang life to pursue his dream.

While at a music conference in Washington, DC in 1993, Jones caught the attention of music producer Eddie F. At the time Jones was a member of a group. The group had high aspirations for their talent showcase at the conference, however, no one showed up. Determined to get noticed, Jones and the group started singing for anyone who listened. Eddie F saw

great potential in the group that day. Shortly after that meeting the group was signed to Untouchables/LaFace and recorded a single but their dream was never realized because the group disbanded.

Not willing to give up on the music business, Jones proved his skills as a writer and producer. Jones wrote one of Usher’s first top ten hits, “Think of You.” He wrote and produced for several other artists including 702, Silk, Brownstone, Madonna. In 1996, with LaFace’s long awaited approval, Jones released his debut album, My Heart. It included a cover of Stevie Wonders’ song; “Knocks Me Off My Feet,” that quickly gained Jones a loyal following. But it wasn’t until his second album “Where I Wanna Be,” released in 1999 and certified platinum,

His third album, “Life Goes On,” was released in 2002 and peaked at number 2 on Billboard's R&B/Hip-Hop chart .

After a 4 year hiatus, in 2006 Jones released his fourth album “Journey of a Gemini,” which debuted at number 1 on Billboard's R&B/Hip-Hop chart, his first album to achieve that feat.

Jones released his fifth studio album, Lyrics, on Sept 28, 2010 on his own label, Candyman Records. Jones is also working with new artists Trina B and Breese, plans to release their debut albums are forthcoming.

"Donell Jones is going to become the most important contribution [to] R&B/Pop since Babyface and R. Kelly," says Eddie F. As Jones continues to make classic hits, his fans await the return of an R&B great. More to come…


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Sources : Donell Jones Photo | Forever Video | Donell Jones Biography

Albums : Pickwick : Can't Talk Medicine

Listen To Pickwick : Can't Talk Medicine

Who Is Pickwick?
They had an escape route, a rendezvous map and a plan for potential heckling.

But it turned out the men of Seattle band Pickwick didn't need any of it. In October, they walked into the University of Washington's acoustically stunning Suzzallo Reading Room, sang their song "Blackout" a cappella, and left, leaving students surprised and pleased.

It makes sense that Pickwick would stage something unconventional and a little risky to announce its Thursday show at the Neptune Theatre. The neo-soul band's music and story fall in the category of "unexpected."

"We're six white kids who grew up on indie rock," said guitarist Michael Parker during a chat with four of the band's members last week in Greenwood.

When Pickwick formed in 2008, the group played what the band name conjures: folky Americana. But no one was really listening.

Then a year and a half ago, they reworked two Grateful Dead songs as soul and blues numbers for a cover night at the Tractor. Something clicked and they decided, as Sam Cooke says, "a change is gonna come."

They threw out all their old material. Singer Galen Disston ditched his acoustic guitar to be bona fide frontman, and the rest ramped up the rhythm, found their groove.

"We were all doing what felt right," Disston said. "We didn't have to second-guess or doubt ourselves the way it was with the folk stuff."

The change did them good. This year, Pickwick followed a Bumbershoot gig with a sold-out show at the Crocodile. Last month, a compilation of the band's three EPs, titled "Myths," was the third most popular Northwest album, based on local record sales.

The songs on "Myths" aren't traditional revivalist soul. The lyrics are Tom Waits-sinister, Disston dragging out his vowels with a longing that belongs somewhere between church and a dirty basement. The guitar rings, bass struts and choruses of piano riffs swell.

This month they'll head to Oregon to record their debut full-length with Richard Swift. (Swift plays with the Shins and recorded Damien Jurado, among others.) They imagine the record will be lo-fi, a little garage-y.

But, of course, you never know quite what to expect.

Can't Talk Medicine Review
It’s hard to think of a more radical and welcome change than the one Pickwick made about two and a half years ago. At the time, the group was a fairly mediocre indie folk band in an oversaturated Seattle scene. And the guys in Pickwick knew it. Rather than give up, they stepped back, reevaluated their strengths, and reinvented Pickwick as a soul act. Since then they’ve been wowing audiences around Seattle with killer live sets, and building a substantial fan base despite only having released a few 7-inch records. This month Pickwick finally delivered Can’t Talk Medicine, a debut LP that was worth the wait.

Pickwick’s sound centers around Galen Disston’s dynamite vocals. Simply put, he’s the best singer in the Seattle music scene. His voice soars octaves, from a rich low register to falsetto coos and the occasional energetic guttural wail. Disston slides in smoothly on both slower numbers (“Well, Well”) and barnburners (“Window Sill”). One of my only real quibbles with Can’t Talk Medicine is that it doesn’t fully capture the totality of his range; Disston’s vocals come off ever so slightly reserved on the album when compared to Pickwick’s untamed live shows.

As for instrumentals, it sounds like the band has been playing these songs for years (because, well, it has). Garrett Parker leads with standout bass lines, be it the slick fretboard sliding on “Halls of Columbia” or bouncy plucking on “The Round.” The consistently sharp guitar work of Michael Parker adds a spring to the band’s step, particularly on upbeat numbers like “Hacienda Motel.” The record takes a slight misstep with the duet cover of Richard Swift’s “Lady Luck,” featuring singer-songwiter Sharon Van Etten. Even though the track has a distinctly Pickwick flavor, showcasing Disston’s highest notes, it still comes off drab compared to the buoyancy of the rest of the album. (When the hypertalented Van Etten can’t save a song, that’s saying something.)

Pickwick took its time to release its first full length, but thanks to years cutting its teeth on stages around Seattle, the group now has some well-deserved swagger, a “we nailed this” vibe. Like Allen Stone before them, Can't Talk Medicine positions Pickwick to break out beyond the comfortable confines of the Northwest. Seattle soul is alive and thriving.


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Sources : Pickwick Photo | Listen To Can't Talk Medicine | Pickwick Article | Can't Talk Medicine Review

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Videos : Jessie Ware ft. A$AP Rocky : Wildest Moments (Remix) (Audio)

Who Is Jessie Ware?
A diverse handful of guest appearances and solo singles across 2010 and 2011 situated Jessie Ware in a line of remarkable soul-inspired U.K. vocalists that includes Tracey Thorn, Sade, Lisa Stansfield, and Caron Wheeler. Ware, a native of South London, England, arrived with background vocals for Man Like Me and Jack Peñate and took the lead on RackNRuin's "Soundclash," where she revealed a voice powerful enough to be heard and felt over a frantic breakbeat-driven production. By the end of 2010, she issued "Nervous," a collaboration with SBTRKT. The following year was even more productive. Her first 2011 release was "Valentine," a sighing/swooning duet with vocalist/producer Sampha. It was followed by two appearances on SBTRKT's self-titled album, one of which — the garage/broken beat hybrid "Sanctuary" — also featured Sampha. "The Vision," the title track on dubstep producer Joker's 4AD debut, was the most impressive showcase for Ware yet, and she closed out the year with another solo single, "Strangest Feeling," a somewhat emotionally wrenching track produced by the Invisible's Dave Okumu. Okumu and Julio Bashmore collaborated with Ware for the singer's first release of 2012, the plush sophisti-pop single "Running." An album, Devotion, followed on Island that August. It debuted at number five in the U.K. and was shortlisted for the 2012 Mercury Prize.


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Sources : Jessie Ware & A$AP Rocky Photo | Wildest Moments Remix Audio Video | Jessie Ware Biography

Interviews : Chris Brown Talks Relationship With Drake, Rihanna, Frank Ocean, Tupac Comparisons?

Chris Brown continued his radio promo by visiting ‘Big Boy’s Neighborhood’ on Power 106. We’ve recently heard Chris talk about his upcoming album X, new single “Fine China” (coming on Monday), and rising above his past issues while learning to be a better person in the spotlight. But, as you would expect Big Boy went right into it, asking Chris about his relationship with Drake, how he responds if one of his records comes on in the club and if they can co-exist in the the business peacefully. Of course, he followed up that question trying to get Chris to admit to a real relationship with Rihanna, asking if he is in love and when was the last time they saw each other.

In addition they inquire about his situation with Frank Ocean, talk about his comparisons to Tupac, his love for painting/graffiti art, what he wants to be doing at 30, catering to his fans and more. Peep the interview below:

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Sources : Chris Brown Photo | Chris Brown Talks Relationship With Drake, Rihanna, Frank Ocean, Tupac Comparisons? Article | Chris Brown Talks About Being Like 2pac & Being Artistic Painter Video | Chris Brown talks about his relationship with Drake Video | Chris Brown & Frank Ocean beef, Rihanna Collab? Video